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Diego Velazquez
Christ in the House of Mary and Martha
mk84
1618
London,National Gallery,
canvas
60x104cm
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Diego Velazquez
Forge of Vulcan
mk84
1630
Madrid,Prado,canvas
223x290cm
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Diego Velazquez
Foseph's Bloodied Coat Presented to Facob
mk84
1630
EL Escorial
Nuevos,Moseos,Canvas
217x285cm
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Diego Velazquez
St.Anthony Abbot and St.Paul the Hermit
mk84
1633
Madrid,Prado
canvas
260x192cm
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Diego Velazquez
Surrender of Breda
mk84
1634-35
Madrid,Prado
canvas
307x370cm
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Diego Velazquez
Francisco Lezcano
mk84
1636-40
Madrid,Prado canvas
107x83cm
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Diego Velazquez
Mars
mk84
ca.1640
Madrid,Prado,canvas
167x97cm
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Diego Velazquez
Pablo de Valladolid
mk84
1635-40
Madrid,Prado canvas
209x125cm
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Diego Velazquez
Las Meninas
mk84
ca.1656
Madrid,Prado,canvas
321x281cm,
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Diego Velazquez
Portrait of Philip IV of Spain in Brwon and Silver
mk86
1631-1632
Oil on canvas
199.5x113cm
London,National Gallery
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Diego Velazquez
Christ in the House of Martha and Mary
mk86
1618
Oil on canvas
60x103.5cm
London,National Gallery
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Diego Velazquez
Los Borrachos
mk86
1628/29
Oil on canvas
165.5x227.5cm
Madrid,Museum del Prado
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Diego Velazquez
The Surrender of Breda
mk86
1634/35
Oil on canvas
307.5x370.5cm
Madrid,Museo del Prado
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Diego Velazquez
Prince Baltassar Carlos,Equestrian
mk86
c.1634/35
Oil on canvas
209.5x174cm
Madrid,Museo del Prado
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Diego Velazquez
A Dwarf Sitting on the Floor
mk86
c.1645
Oil on canvas
106.5x81.5cm
Madrid,Museo del Prado
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Diego Velazquez
Venus at her Mirror
mk86
c.1644-1648
Oil on canvas
122.5x177cm
London,National Gallery
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Diego Velazquez
Las Meninas
mk86
1656/57
Ol on canvas
318x276cm
Madrid,Museo del Prado
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Diego Velazquez
Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren
mk921634/5
Madrid
Prado
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Diego Velazquez
Die Ubergabe von Breda.Gesamtbild
mk92
307x367cm
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Diego Velazquez
Las Meninas.Die Hoffraulein
mk92
1656
318x276cm
Madrid
Prado
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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